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ByCaitlin wordmark logo with a white leaf monogram on a muted teal background
ByCaitlin wordmark logo with a white leaf monogram on a muted teal background

Menu

ByCaitlin wordmark logo with a white leaf monogram on a muted teal background
Bumblebee on purple flowers in soft-focus greenery

Photos

PROJECT 1

PROJECT 1

PROJECT 1

@caitlin.frames.it

@caitlin.frames.it

The Brief

There isn't one, and that's sort of the point. No client, no deadline, nobody waiting on a first draft. This is the account I keep purely for myself, the photography I take because I want to, not because a brief or a brand asked me to. I think everyone who works creatively for other people needs somewhere that belongs entirely to them, and this is mine.

The Process

I don't plan these shoots the way I plan client work. There's no shot list, no mood board, no brand guidelines to follow. I go out, usually somewhere quiet, and I just look. I'm drawn to the kind of light that only exists for a few minutes and then doesn't again, the way it moves across grass or water and changes the whole scene before you've even finished noticing it. I love finding texture in places most people would walk straight past without a second glance, the bend of a tree, the creak of branches in the wind, the exact moment bluebells catch enough light to actually glow rather than just sit there being blue.


There's no brief to satisfy here, no client to please, just my own instinct for what's actually worth stopping for. I think that's why this account feels different to everything else I shoot. I'm not translating someone else's vision into an image. I'm just paying attention, properly, to something that would have happened whether I photographed it or not.

White swan beside rippling water at the shoreline
Back of a person with blonde hair in a forest setting
Swan swimming across calm blue water

The Outcome

There isn't a metric for this one, and I don't want there to be. It's not building toward a follow count or a portfolio piece, even if it ends up doing both eventually. It's the place I go to remember why I picked up a camera in the first place, before it was ever part of a job, before there was ever a client or a deadline attached to it. Some of the most valuable things I make aren't the ones anyone's paying for.